Field of Mars LXXXIII – large modern painting – abstract landscape
| Title |
"Field of Mars LXXXIII" |
| Size |
110 x 100 cm |
| Series |
Field of Mars |
| Artist |
Mark Hellbusch |
| Technology |
Acrylic, lacquer, and oil paints (mixed media) |
| Medium |
Experiment on canvas |
| Category |
large painting |
| Origin |
2021 in Wiesbaden |
| Frame |
no |
| Shipping |
1-3 business days |
An abstract landscape of colorful paint remnants.
The large-format abstract painting measures 110 x 100 cm, consists of paint residues and shows a landscape with a crater from above. The paint residues used for this painting are colorful, predominantly warm and relatively dark. Acrylic paints, oil paints and varnish residues interact with each other in a wide variety of variations in color, shape and size: compositionally, they form a crater. The sizes of the paint residues range from very fine dust to paint chunks of approx. 0.7 cm in diameter. It is the differences in size of the paint residues that make a composition possible.
The leftover paint is glued both to the canvas and to itself with binder. This keeps the painting well protected. IIn the narrower sense, this art belongs to the category of abstract or experimental Landscape painting.
Buy a large painting made from leftover paint for a special atmosphere at home.
The large painting "Field of Mars LXXXIII" makes the strongest impression in a bright room. The unusual spatiality – the haptics (three-dimensional) combined with the contrasts (two-dimensional) – creates a very special, highly modern Environment. arises at that point merely due to the change in size of the paint residues. As you take a few steps towards the painting, you notice that all the paint residues are equally colorful. is created at this point solely by the change in size of the paint remnants. As you step closer to the painting, you notice that all the paint remnants are equally colorful.
A modern painting of this kind – an abstract landscape with crater – is not accessible to everyone. Nevertheless, the result of experimental painting can spark curiosity, especially when the juxtaposition of old (Color residues) and new (painting), or the Title "Field of Mars" (a place of political debate in ancient Rome) encourages associations.
