| Your post's title |
"Field of Mars LXV" |
| Size |
30 x 24 cm |
| Series |
Field of Mars |
| Technique |
Acrylics, varnish, and oil paints (mixed media) |
| Medium |
Experiment on canvas |
| Tags |
modern landscape |
| Creation |
2016 in Wiesbaden |
| Frame |
If needed - please contact |
| Status |
privately owned |
A special way to display art.
The experimental landscape painting "Field of Mars LXV" measures 30 x 24 cm and consists of leftover paint and binder. The leftover paint used for this painting is colorful. Acrylic paints, oil paints and varnish residues interact with each other in a wide variety of color, shape and size. The sizes of the paint residues range from very fine dust to paint chunks of approx. 0.5 cm in diameter. It is the differences in size of the paint residues that allow for a composition. In this way, art can be presented in a very special manner.
A colorful, experimental artwork made from paint residues.
The leftover paint used for this experimental artwork is colorful. Acrylics, oil paints, and leftover varnish interact with one another in a wide variety of color, form, and size. From a distance, the work initially appears to depict an earthy or sandy, gray, field-like surface. If you take a few steps toward the small painting, you realize that the image is colorful and made up of small paint remnants. The wave structure arises solely from a repeated, linear accumulation of larger chunks of paint.
A modern landscape for a special ambience.
"Field of Mars LXV" belongs to the category "modern landscape painting" and comes into its own best in a small room, in a hallway, on a stairway wall, or in a niche. The unusual spatiality of this landscape – the haptics (three-dimensional) combined with the contrasts (two-dimensional) – creates a special ambience that can only be fully explored over time. The spatial effect is extremely subtle, so that a very fine, elegant, and stimulating presence emanates from this painting, which you can also purchase at an affordable price.
"Mars" and "Feld"
This kind of experimental art is not accessible to everyone. Nevertheless, the painting can spark curiosity. The juxtaposition of old (paint remnants) and new (painting) and the title “Marsfeld” – incidentally a site of political confrontation in ancient Rome – evokes associations around the terms “Mars” (planet, destruction, god of war) and “field” (construction, order).
