Claim 42 – modern abstract painting 130 x 120 cm

Modern experimental painting with thrown paint leads to abstraction.

The chaotic application of paint creates an “organic” field that is “staked out” by the size of the painting. It was painted using a mixed technique consisting of acrylic paint, water-mixable oil paint, and varnish. However, the term “painted” doesn’t quite apply to this technique. The colors were more thrown and splattered, so this is experimental painting that, in its consistent execution, produces an abstract color field.

Reddish colors for the living space.

To control the spatial effect, the throwing of paint—and thus the color gradient—is repeatedly interrupted for drying phases. The experimental application of paint is repeated with different colors until a natural variety in color and texture emerges. Above all red, but also orange, yellow, green, blue, black, and white blend here in a complex way. Through their differently long flows (dot-like and small at the top of the painting, linear and large at the bottom), they create a perceptible sense of depth. The eye keeps returning to the pattern-free structures, stimulating the viewer in an unusual way. This results in a painting with a reddish color dominance for an atmospheric living space.

Interesting facts about the painting "Claim 42".

Despite the many colors, “Claim 42” has a rather subtle effect and can be enjoyed both from a distance (perception of spatiality) and up close (variety of structure and color). The painting is signed, and the edges are painted white. The artwork can therefore be displayed immediately—with two nails in the wall.

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