Claim 100 – large-format contemporary painting in orange

The seemingly chaotic application of color creates a large-format "organic" field that is "staked out" by the size of the painting. 

Experimental painting with thrown paint leads to abstraction.

It was painted using a mixed technique consisting of acrylic paint, water-mixable oil paint, and varnish. However, the term “painted” doesn’t quite apply to this technique. The colors were more thrown and splattered, so this is also experimental painting.

Painting for the living space – in orange.

To control the spatial effect, the throwing of paint—and thus the color gradient—is repeatedly interrupted for drying phases. The experimental application of paint is repeated with different colors until a natural variety in color and texture emerges. Above all orange, but also red and yellow, as well as small amounts of green, blue, black, and white blend here in a complex way, creating a perceptible sense of depth through their differently long flows (dot-like and small at the top of the painting, linear and large at the bottom). The eye keeps returning to the pattern-free structures, stimulating the viewer in an unusual way. The painting gives rise to an artwork in orange—perfect for an atmospheric living space.

Interesting facts about the painting "Claim 100".

Despite the many colors, “Claim 100” has a rather subtle effect and can be enjoyed both from a distance (perception of spatiality) and up close (variety of structure and color). The painting is signed, and the edges are painted white. The artwork can therefore be displayed immediately—with two nails in the wall.

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