An experimental painting made from paint remnants.
From a distance, the work at first appears to depict an earthy or sandy, beach-like surface. As you step closer to the painting, you realize the work is completely colorful and made up of small paint remnants. The experimental painting becomes more concrete the longer you look: in your mind, wind, water, and eventually the morphology of a beach section emerge.
"Field of Mars CLIV" makes the biggest impression in a bright room. The unusual sense of space—the texture (three-dimensional) combined with the contrasts (two-dimensional)—creates a special ambience that can only be discovered gradually. The spatial effect is extremely subtle, so this painting brings a very refined, elegant, and stimulating touch to your living space.
The "Field of Mars" paintings have a very elegant in vertical or horizontal rows. This way, even larger rooms can be decorated with Field of Mars paintings. When paintings are hung side by side, it’s important to note that variety is key. A crater that appears yellow-brown from a distance, set between beach-like reddish wave structures and a grayish-looking swirl, is more inspiring to the eye than several craters of the same size next to each other. These can quickly be overlooked as a pattern.
The artist Mark Hellbusch—from expressive painting to experimental art and modernism.
Mark Hellbusch has been a freelance artist since 1997 and has explored a wide range of themes in painting. While until 2007 he focused almost exclusively on expressive painting, today his emphasis is on experimental art and modernism. His Personal background, as well as almost all artistic themes can be found under "About me".
