The experimental landscape painting "Field of Mars LXXIII" measures 30 x 24 cm and consists of paint remnants glued on canvas with binder. The paint remnants used for this painting are colorful. Acrylic paints, oil paints, and varnish remnants interact on the canvas in a variety of colors, shapes, and sizes. The sizes of the paint remnants range from very fine dust to paint chunks about 0.6 cm in diameter. It is the size differences of the paint remnants that allow for a composition.

"Field of Mars LXXIII" is a small-format painting and looks best in the hallway, on the staircase wall, or in a niche. From a distance, the work initially appears to depict a warm, earthy or sandy, beach-like surface. As you take a few steps closer to the painting, you realize that the work is completely colorful and made up of small paint remnants. The small-format unique piece becomes more concrete with increased viewing: in your mind, wind, water, and eventually the morphology of a beach emerge.

Paintings from the "Field of Mars" series for a very special ambiance.

"Field of Mars LXXIII" impresses most in a bright room. The unusual spatiality - the haptic (three-dimensional) combined with the contrasts (two-dimensional) - creates a special ambiance that can only be gradually explored. The spatial effect is extremely subtle, so a very fine, elegant, and stimulating effect emanates from this painting.

Paintings in vertical or horizontal rows can also "fill" larger wall spaces optimally.

"Mars" and "Field"

This type of experimental art is not accessible to everyone. Nevertheless, the painting can spark curiosity. The juxtaposition of old (paint remnants) and new (painting) and the title "Field of Mars" - incidentally, a place of political debate in ancient Rome - evokes associations around the terms "Mars" (planet, destruction, god of war) and "Field" (construction, order).

Buy a unique piece at a small price.

The price is also interesting: The abstract landscapes are not cheap, but extremely affordable in relation to their quality. For some, buying means a relatively risk-free entry into the world of art. For others, it might be the opportunity to design smaller spaces in a modern, interesting, and affordable way. With such a unique piece, you make a subtle statement. The paint remnants alone, as a defining element of the image, give your decor something very original.

You can reach me by phone at +49 (0) 176-21916227

mo - th in the studio, Langendellschlag 62 in Wiesbaden

fr + sa at the ARTLET, Wagemannstr 2 in Wiesbaden

or via email: mark@hellbusch.de