An experimental painting made from paint residues.
From a distance, the work initially appears to depict an earthy or sandy, beach-like surface. As you step closer to the painting, you realize that the work is completely colorful and consists of small paint residues. The experimental painting becomes more concrete with closer observation: thoughts of wind, water, and eventually the morphology of a beach fragment emerge.
"Marsfeld CLIV" is most impressive in a bright room. The unusual spatiality - the haptics (three-dimensional) combined with the contrasts (two-dimensional) - creates a special Ambiance, which can only be gradually explored. The spatial effect is extremely subtle, so this painting exudes a very fine, elegant, and stimulating effect in the living space.
The "Marsfeld" works look veryelegant in vertical or horizontal rows. In this way, larger spaces can also be decorated with Marsfeld works.For pictures hanging side by side, it is important to note that the differences are crucial. The crater, which appears yellow-brown from a distance, between beach-like reddish wave structures and a grayish whirlpool, is more inspiring to the eye than several craters of the same size next to each other. These can quickly be overlooked as a pattern.
The artist Mark Hellbusch - from expressive painting to experimental art and modernity.
Mark Hellbusch has been a freelance artist since 1997 and has dealt with a variety of themes in painting. While he was almost exclusively engaged in expressive painting until 2007, today his focus is on experimental art and modernity. Hispersonal background, as well as almost allartistic themescan be found under "About Me".
With expertise in art
and joy in the work:
Mark Hellbusch.
